Deantoni Parks crafts a distinct nexus of electronic music that challenges the dimensions of rhythm and texture. His brand new *OBSERVERS* album is a testament to Parks’ mastery in synthesizing live percussion with electronic elements, fundamental to his career as a pioneering drummer, composer, and producer. Engaging with the album reveals not just an auditory fusion but an exploration into the pulse of modern soundscapes, underlined by Parks’ notable philosophy, the "Technoself method." Here, unedited recordings parallel the spontaneity and precision of his live performances, painting a rich portrait of human-machine interaction....
Deantoni Parks crafts a distinct nexus of electronic music that challenges the dimensions of rhythm and texture. His brand new *OBSERVERS* album is a testament to Parks’ mastery in synthesizing live percussion with electronic elements, fundamental to his career as a pioneering drummer, composer, and producer. Engaging with the album reveals not just an auditory fusion but an exploration into the pulse of modern soundscapes, underlined by Parks’ notable philosophy, the "Technoself method." Here, unedited recordings parallel the spontaneity and precision of his live performances, painting a rich portrait of human-machine interaction.
Throughout its nine tracks, *OBSERVERS* is indicative of Parks' journey from his funk and gospel roots in Newnan, Georgia, through his Berklee-honed jazz sensibilities and into the burgeoning world of electronic music. Drawing inspiration from mentors and collaborators alike, Parks channels the avant-garde energy of KUDU and the expansive sound of The Mars Volta into compositions that breathe with an originality honed through decades of dynamic collaboration. The album reflects an accumulation of learnings from historic figures and cutting-edge contemporaries, forging a unique space in the electronic genre.
Recorded with an ethos of live immediacy, *OBSERVERS* refrains from the artificial gloss of studio perfection, favoring instead the raw electricity of momentary creation. This approach continues the legacy of his praised work on Technoself, where the emphasis on real-time experimentation showcases his unparalleled proficiency in manipulating rhythms through technological enhancements. Deantoni Parks stands as not only a musician but a philosopher of sound, whose continual evolution beckons listeners to reconsider the very fabric of music. *OBSERVERS* does not merely present songs; it invites a contemplation of music’s role as a conduit for deeper understanding in an era increasingly defined by the fusion of the digital and the human.